Two years ago, during the hot and
stormy summer, I began to read that equally stormy and tempestuous novel The Idiot by Fyodor Dostoyevsky.
This work, like all Dostoyevsky’s
work, is visionary and hysterical. It exists in a sweltering, sweating heat of
paranoia and obsession.
I took to reading this novel
in the Winter Gardens in Sheffield which, despite its name, is actually a kind
of hothouse full of tropical flora. Here, amongst the ferns and trees, I read
about Prince Myshkin and Rogozhin.
I had previously read the
author’s Letters from the Underworld
in an old paperback edition that I had bought at a local jumble sale for 10
pence. Come to think of it, I bought my copy of The Idiot from a boot fair.
Yesterday, in this high English
summer which is really a kind of perpetual autumn, an endless October of rain, I
returned to the Winter Gardens to read some of the letters Franz Liszt wrote during his first residence
in Weimar (at which point, Dostoyevsky was in prison doing hard labour).
I sat there and read under
towering ferns, the great beams of the roof looking like they had been transplanted
into reality from China MiĆ©ville’s fictional city of New Crobuzon.
What a space in which to read.
Although I like to do my
summer reading in the Winter Gardens, I like to do my winter reading in the snug
warmth of a parlour, in front of a fire, dreaming of Wuthering Heights and Poirot’s broken central heating.
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