Dear Associates,

I am the literary critical detective.

In my work I examine the mise en scene of classic detective stories carefully, paying attention to the smallest metaphorical detail, sifting through the facts and then distorting them according to my whim.
My friends have been kind enough to express some interest in my observations and so to this end I am making this journal available. I hope that you might also find it of some interest.

The Literary Critical Detective.

Tuesday, 15 November 2011

The Colour and Consistency of Amber

It is too dark in here. The light that my brass lantern causes to seep across the desk seems to have the colour and consistency of amber. I cannot turn it up any brighter so I have just lit a number of tall candles. However, the wicks are already starting to burn low and the flames are guttering and flickering. The dark shadows next to the bookcases seem to be growing deeper and denser with each passing minute. They are pulling things into obscurity even as I write. I cannot see the corners of my room anymore.

It is not light enough to read with any care or precision. Fran├žoise has already chastised me for attempting to work in this gloom. ‘It will only damage your eyes. You have to wear those glasses as it is because of all that close work you do. I wouldn’t work in this light.’ Of course, she doesn’t realise the obligation that these texts have placed me under this evening. How could she? I am only just beginning to realise it myself. And in any case, I am starting to believe that this darkness could bring with it some enlightenment. Maybe by losing my bearings, by being unable to see the critical and theoretical signposts, I will happen across a new path to meaning. Maybe.

A draught has just blown in through the sash of my study window. For a moment it seemed as though it had brought some of the night sky in with it. Actually, I can see that it just blew out one of the candles.

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